Today, in directing and producing class, Patrick taught us the value of
matching pairs and actor/shooting etiquette. When preparing the camera we
must keep in mind the distance between the actor and the camera. Once this
is done we must mimic our results with the second actor. We use the angle
of intimacy, the line between the subjects, to measure the camera eye
plane. When a moment becomes intimate we use the technique ’shallow” to
move in closer to the subject, on the 90 degree plane.
When filming a dialogue there are two different types of shots- the clean
and dirty shot. The clean shot includes the actors face without viewing
the other actor’s shoulder of head within the shot. The dirty shot is the
opposite, this shot does include the other actor’s head and shoulder. It
is important to know that the director or photography does not call
framing, the director does. When working with actors it is best to run
through only about six or seven lines in order to keep their energy. It is
also important to make sure not to use any negative words that would
hinder their attitude or confidence in any way. For instance instead of
using the word “cut” the director might use the word “ok.” This is ensure
a close relationship with the actor, in order to receive a great
performance.
I found this information to be very helpful. I know how have a sense of
how to interact with my actors on a director level. This information will
become essential advice when working on my student film project that is
around the corner.