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Fly Away Home Trailer
By Jules Kobelin and Marcy Cravat
March 2008

This was a class exercise using Final Cut Pro.

I’d like to compliment Patrick and the teaching staff at Berleley Digital for the fine job they’re doing in training future film makers. I’m impressed by the professionalism of the students and their dedicationn to producing quality projects. I have been doing acting work for other film schools in the Bay Area for several years, and in my book, you guys are the best.

As an actor, sensitive folk that we are, little things sometimes make a big impression. On the occassion of my first encounter with Berkeley Digital students (an audition), I was met in the waiting room by a student on the production staff, who offered to run my lines with me.(so that I might be better prepared for the audition ).” What?”, I said to myself., “that’s the first time that I’ve had an offer like that in the several years I’ve been working with student film makers.”

Other little (and thoughtful) details, like closure with actors (whether they were cast or not), thanking them for auditioning, are furthur indicators of the outstanding training these students are getting.

I recently saw the first cut of a short film I did at the school. The short was directed by a first year student and was a quality piece in my view. Production values were wonderful I thoroughly enjoyed working with the director and his chosen crew. They were great.

I’m looking forward to doing more films with your talented group.
Keep up the fantastic work.

Dick M, actor.

A fun shoot with a positive and efficient crew. Thanks to Nick, Franco, Joel, and Rob. Well done Chirae. Special thanks to actors, Eric and Afiayanna as well as Dee and Tim from Blood Bath Boxing. Also, thanks to Colin for lending the fog machine while in L.A.

Peter Burns writes:

[1] TALENT:
I’m having terrific meetings with my principal actors.

Jim Hiser, a SAG actor of 10 years, has committed in the lead Principal role of the “Vigilante.” I met Jim over coffee in his Montclair neighborhood and I ran him through the story as well as his character. We initiated collaboration on designing the character. I also told him that I plan not to reveal the entire story to all of my talent. He agreed that this could be a positive directorial strategy in order to get certain performances from actors. Jim secured his SAG membership on Nash Bridges. Jim is also an active stage actor. I’m looking forward to his creative contribution on this project.

Shannon Nicholson has met with me three times this month at cafes in Alameda. We’ve had a lot of fun discussing the project and making casting wish lists. She has more than earned a credit of Associate Producer from me, again. She’ll be playing the role of “The Vigilante’s Mother.”

I’ve got two actors coming up from Los Angeles. One is a SAG actor, she’ll be playing “The Seductress” and another will be playing “The Lover.” I’m working on accommodations for these actors.

[2] Contacting SAG/AFTRA:
I’ll be submitting my Preliminary paperwork to Fatna Sallak-Williams of the local S.F. SAG/AFTRA office letting them know that I’ll be shooting with 2 of their members. I’ll do this as soon as I have my locations nailed down.

[3] Locations:
I require two locations. An art gallery and a basement with a long hall and separate room. I’m meeting with Jane Austin of The Oakland Film Office next Thursday to scout the old Miller Library Building basement.

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Thanks for reading.

More to come …

I just finished the second and final day of my BDFI tour and I am still buzzing with energy and excitement. I could not have ever imagined this visit going as well as it has. The facilities, faculty, equipment and students were above and beyond any preconceived notions I had of BDFI.

Where to start? I have to begin with the hospitality and personality and Patrick. He was kind enough to pick me up from the BART station both days and I knew right off the bat that I was going to enjoy the school. Any nervousness I had prior to my tour was quickly dismissed when I began talking to Patrick. He was so helpful and accommodating, with my tour and overall trip to the bay area (recommending restaurants and the must sees of downtown San Francisco).

The Saul Zaents media center, which houses BDFI, has a long legacy which quickly becomes apparent to any visitor who notices all of the movie and music posters on the walls. I love the environment that Patrick has created, allowing the students to feel that they are in a business setting. The editing suites, rather than long tables of computers, the interactive round tables in the classrooms, rather than desks, and the overall sense of community of the students and faculty all contribute to a wonderful environment that inspires creativity and teamwork.

I was able to sit in on three classes during my visit, all of which greatly contributed to my understanding of the advantages of BDFI. The first was video editing with Sharef, which reminded me of an editing class I have had before, but with major advantages. Sharef was so engaging and helpful to every student, covering a lot of material, while making sure that each student has a comfortable grasp on every trick and tip.

After a brief discussion of my love for sound design in films, Patrick dropped me off at the BART station to conclude my first day of the tour. I was about to head back to my hotel when I got a call from Patrick. He told me to come back up and that I had to sit in on one more class with MARK BERGER! What an experience! Before class started I sat in an editing sweet with Jonathon and Mark Berger, as they went over a scene from Apocalypse Now with all of the audio tracks separated. To be able to sit with him, while he discussed his creation was a pleasure. It was definitely a surreal experience, and one that I will tell to all of my friends back home.

Berger’s lecture was on sound design theory and was one of the most exciting and informational lectures I have ever been a part of. He is so experienced and competent, that all of the students seemed to be fully engaged in the lecture. That one lecture was the equivalent of twenty lectures at the UK, where I attend now. I thanked Patrick a million times over for calling and picking me back up, because the experience was one I will always remember.

The last thing that I feel I need to express is the companionship of the students at BDFI. Patrick mentioned that they build an environment where the only competition is self-competition, and it really shows. Everyone is highly motivated and focused, while being completely devoted to his or her fellow students. I had quite a few opportunities to speak with the students, which really broadened my view of the advantages of BDFI. They all spoke similarly about the fact that everyone finds their niche very quickly here, while still allowing everyone to be Producer and Directors. Everyone was very helpful and I just want to that the students and faculty for a great tour and making me feel at home.

Thanks.

click image to enlarge
Lonnie (Ted Barker) freaks out before committing to his dream.